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NEW HORIZON FOR XEEN: XEEN Anamorphic, XEEN Meister

2021-11-26

NEW HORIZON FOR XEEN
XEEN Anamorphic, XEEN Meister

  

Friday 26th November 2021, Seoul, South Korea: Samyang Optics (CEO Hwang Choong-hyun), a global optical brand, is pleased to announce its new Premium XEEN lens line-up: 

XEEN Anamorphic (50mm T2.3) and XEEN Meister (35mm T1.3, 50mm T1.3, and 85mm T1.3). 

 

 


 

The new XEEN horizon: XEEN Anamorphic & XEEN Meister

 

The XEEN brand of cine primes was the first range of specialty video & cinema lenses released by Samyang Optics back in 2015. Since then, XEEN has expanded the world's imaging market with exceptional image quality, precision optical technology, and unique special coating technology. Following 6 years of in-depth research and communication with customers, Samyang is now meeting the demands of more cinematographers by launching its new premium XEEN lens line-up. This includes the XEEN Anamorphic 50mm T2.3 and XEEN Meister 35mm T1.3, 50mm T1.3, and 85mm T1.3 models. These new premium XEEN lenses cover full-frame sensor, designed for high-end digital cinematography. XEEN Anamorphic 50mm T2.3 will be available for PL mount only, and the Meister 35mm T1.3, 50mm T1.3, and 85mm T1.3 will be available in three different mounts: PL, Sony E, and Canon EF mount.

 

 

 

 

XEEN Anamorphic 50mm T2.3


 


 


XEEN Anamorphic 50mm T2.3 2x for high-end digital cinematography

 

The XEEN Anamorphic 50mm T2.3 opens up endless new creative opportunities, making possible shots that would have previously been considered impossible. This new XEEN Anamorphic lens covers full-frame sensor, is available in an interchangeable PL-mount.

 

The important and distinguishing visual facet of anamorphic images is the appearance of out-of-focus background elements or bokeh. The newly developed iris with 15 aperture blades, creates perfectly oval and evenly illuminated out-of-focus highlights. This ensures a pleasing bokeh that filmmakers will enjoy manipulating creatively. After being de-squeezed, the XEEN Anamorphic 50mm T2.3 lens covers 2,55:1 original cinematic cope ratio in 35mm full-frame sensor.

 

The XEEN Anamorphic 50mm T2.3 features a Ø114mm, non-rotating front diameter, which is ideal for use with a 4x5 Matte Box. Also, the front barrel design made of Carbon fiber material not only adds to the rigidity of the lens but also adds a sense of luxury. In addition, the ultra-bright luminous font allows for convenient use in dark environments.

 

 

 

 

XEEN Meister 35mm T1.350mm T1.385mm T1.3


 


 

Fastest T1.3 cine lens, supporting 8K & i Technology

 

XEEN Meister lenses enable cinematographers to create beautiful, consistent, and controlled flare in the image, whilst maintaining contrast and avoiding transmission loss. With 8K support and unique X-coating technology, the lenses and internal light reflections can be effectively controlled to create a distinctive look, with flare and ghosting for dramatic effects. They maximize the delicate emotions of the subject and show rich depictions.

 

XEEN Meister lenses are color-matched across the full range and feature super-bright T-stops of T1.3. The 13 aperture blades produce excellent low light performance and beautiful bokeh. PL-mount versions also include the /i Technology protocol, whereby users with compatible cameras can see and record lens metadata such as focal length, aperture and focus distance.

 

Each lens has 300° of focus rotation, which helps in creating accurate focus pulls and the focus scales themselves are angled to make it easier to confirm settings, even when viewing the lens from the side. Robust and built using titanium, these high-quality premium cinematography lenses are ready to fit onto a selection of lens mounts adding luxury through future-oriented design.

 

 

XEEN Anamorphic & XEEN Meister lenses will be unveiled to the world for the first time at the Micro Salon AIC (Rome, Italy Nov.26~28) and Micro Salon AEC (Madrid, Spain Dec.10~11).

 

Detailed information on the new XEEN Anamorphic 50mm T2.3, XEEN Meister 35mm T1.3, 50mm T1.3 and 85mm T1.3 lenses can be found on the Samyang Optics official XEEN website and social media channels below.

 

* Website: https://xeenglobal.com/

* Facebook: https://www.facebook.com/xeenglobal
* Instagram: https://www.instagram.com/xeenglobal
* YouTube: http://www.youtube.com/samyanglens

 

 

About Samyang

 

Based in South Korea, Samyang is a specialist optical manufacturer, this year celebrating its 50th anniversary of camera lens innovation and craftsmanship. Samyang Optics’ range of lenses are specially designed to deliver a superior optical and tactile experience, which allows creatives to concentrate on the pure essence of photography and cinematography.

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Samyang’s Guide to Achieving the Optimal Angle of View

The perfect spacing and distance are always necessary when shooting all kinds of subjects, including people, to give them a proper relationship with the beautiful space around them. So, what’s the exact distance that helps you best appreciate a work of art, or a photo?

The correct answer is the diagonal length of the full frame of a subject.

표준화각 자료 이미지
표준화각 자료 이미지

The best standpoint from which to appreciate the full view of a subject is the distance of the diagonal length of the subject frame. This wider angle is superior to standing closer at a 50 degree angle to get a more detailed view. This notion of an ideal distance or view point is also applicable in the world of photography.

For still images, keeping a distance equal to the diagonal length of the full image surface is recommended. The full frame sensor of a digital camera is 36 x 24mm and the diagonal length is 43.26mm so any distance close to this number is nearer to the ideal than the currently accepted industry standard of 50mm.

Back when film cameras were common, 45mm was the industry standard and this continued as reflex cameras needed extra space to fit a mirror. However, as mirrorless cameras become more popular again, there has been a need to return to this industry standard…which is the impetus for the Samyang AF 45mm F1.8 FE. With less distortion than a 35mm lens and wider angles than a 55mm lens, the Samyang AF 45mm F1.8 FE is a perfect lens for portraits, landscapes, architecture photography, and pictures of pets.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

[What is Dolly Shot? How to shoot easily]

[What is Dolly shot?]

A dolly shot, also referred to as a tracking shot or trucking shot, is a camera movement technique used by cinematographers to track and follow a subject in motion. To achieve this, the camera is mounted on a device called a "dolly," which facilitates smooth tracking movement. The dolly can move in front of, behind, or alongside the subject, which can be a person, a location, a product, or any other object of focus in the frame. Through this, you can control the emotional distance between the subject and the viewer by highlighting the audiovisual and dramatic effects.

[How to take a Dolly Shot simply by handheld]

Tip. If the moving distance is long, the camera may shake, so please shoot at a focal length between 35 and 100mm.
1. Stand at a distance of about 1.5 to 2 meters away from the subject.
2. Set the custom switch to MF and Mode 3 and adjust the focal length to about 100mm.
3. After focusing on the subject, set the aperture to F8~16.
4. Slowly turn the zoom ring to the left (towards the wide-angle end) while using your upper body and arms to move the camera toward your subject.
5. Dolly Shot complete!
※ When shooting from a farther distance from the subject, use a cart or gimbal for more stable shooting.

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
Mirrorless / APS-C
M6
M5
M10
M3
M2
DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X냐)
DSLR / Full Frame
D850
D5
D810A
D4S
D810
D750
Df
D610
D4
D800
D800E
D600
D3s
D3x
D700
D3
DSLR / APS-C
D7500
D3400
D500
D5600
D7200
D5500
D3300
D7100
D5300
D5200
D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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